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SELECTED REVIEWS
WOW! This guy is the real deal! just him and a guy and a standup bass (who was great as well).- and they took da blues to every place you could think of: he gave lots of mandoblues history and styles of blues, info on the mandolin-its origin and different types of mandos, and told many stories of famous mandoblues and other blues men. great sense of humor and stage presence. then- 2 sets all but 2 songs (he played guitar on these- he is awesome on that big 6 string thing as well) in each set with mando- opened with title track from album, rolled into some johnny young stuff, willie dixon, robert johnson, yank, howard armstrong (who's wife was in attendance), etc.. powerful vocals- and just killer mando. slow, up-tempo, chicago style or low done country blues- just killer licks! itook some folks with me (none of whom play mandolin), a friend who is an alt-rock bass player, summed it up perfectly after the show "he just pulls the blues out of the mando "if you get a chance to see this dude- don't miss it!
Review of performance at Passim's, Boston MA
Ira Kittrell from post on Mandolin Cafe
Rich DelGrosso's performances are high energy affairs. He seems to
channel the blues in a way that few artists can.
Phil Koehlhoeffer
Mississippi Valley Blues Festival Guide
DelGrossos
a groovemaster on guitar, just as on mando. Its hard to believe
its his "other" instrument. Hes got a hell of
a singing voice, too: a full-throated baritone with the gravel, growl,
and behind-the-beat passion that you only hear in the best blues singing.
Mark Hoffman,
co-author of MOANIN AT MIDNIGHT:
The Life and Times of Howlin Wolf
I
love the mandolin flavor that Rich adds when we play together, and
his Blues singing, deep and powerful, should be recognized alongside
his trademark picking.
Bob Margolin
Blueswax
DelGrosso
is very much the latest in the evolution of mandobluesmen, a dexterous,
efficient player who combines traditional trill techniques and guitar
derived licks into one peerless set of chops capable of every modern
blues idiom. DelGrossos singularity isnt confined to his
instrumental voice, and his vocals give forth a subterranean quality-
a depth that is hulking and grand but not gruff.
Evan Haga,
Living Blues
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